Hip Hop Hump Days #9:
Various Artists –
Rough Trade Shops Hip Hop 2015: Beats, Bass + Rhymes
Listen. Can you hear it? Something’s happening.
Hip hop is a strange beast. At its very worst, it is little
more than diluted factory line chart fodder designed to secure airplay and make
the bloated even fatter – think Nicki Minaj doing Crazy Frog impressions backed
by nauseatingly overproduced landfill EDM or Pitbull’s bewildering lack of
anything remotely resembling talent.
At its best, however, hip hop has the power to be one of the
most creatively rich and diverse forms of artistic expression, constantly
finding bold and inventive new ways to surprise and enlighten.
Right now, hip hop seems to be bursting at the seams with
artists striving to be different, rather than simply trying to fit in with any
sort of preconceived notion of what the genre should be about. It’s hip hop,
Slim, but not as we knew it.
It seems the good people at the Rough Trade shops,
themselves standard-bearers for exquisite musical taste, have also noticed this,
prompting them to put together a compilation of 35 tracks from some of
contemporary US and UK hip hop’s more forward-thinking exponents.
The resulting double CD is an exhilarating snapshot of a multi-faceted
musical movement which still refuses to be confined by so-called boundaries, acknowledging
its roots but still managing to sound vibrant, fresh and, above all, like the work of artists brimming with actual ideas.
This is hip hop as it was always intended to be:
groundbreaking, inventive, creative, original… and, crucially, free from interference
from major label executives looking for a generic, polished product to spoonfeed
commercial radio listeners between adverts for household insurance and local carpet
warehouses. No one gives a shit what Nick Grimshaw thinks or whether they’ll
appear on the next Now compilation.
For me, what’s interesting here is how comfortably tracks
from opposite sides of the pond sit alongside each other. From the US, we have
Earl Sweatshirt’s piano-led ‘Chum’ which suddenly breaks into sci-fi prog rock,
Sub Pop signings (and can you imagine Sub Pop putting out hip hop albums even a
decade ago?) THEESatisfaction and Shabazz Palaces and their own unique (and
sometimes psychedelic) take on the genre, and the consistent brilliance of Run
The Jewels. Longer-established artists such as Ghostface Killah and Pharoahe
Monch also get a look-in, proving that keeping things fresh isn’t solely the
preserve of the new skool. Also worthy of a mention are the free-jazz stylings
of Hail Mary Mallon, Sonnymoon and Your Old Droog.
The UK is superbly represented. Young Fathers are as good as
ever, steadfastly forging their
own distinct musical path, while Foreign Beggars kick off 'Sirens' with droplets of eerie digital pizzicato before erupting (if that's the right word) into bass-heavy minimalism and super-sharp lyrical delivery. Ocean Wisdom’s collaboration
with kidkanevil layers dark, grimy basslines over organic-sounding drum and bass reminiscent of Breakbeat Era, while Novelist and Mumdance’s mighty ‘Shook’ impresses
with snatches of euphoric synth piercing through stabs of deep, vibrating, buzzing feedback, like shards of sunlight penetrating storm clouds. A mention too for Jehst and Strange U's brilliantly unsettling 'Dolph Lundgren'. And you will not find a more deliciously British take on hip hop than
West Country MC Spye’s closer ‘Oops Sorry’ – trust me.
Thirty-five tracks. All individual in their own way and yet
at the same time sharing a common characteristic in that they are all pushing
boundaries and daring to do something different without pandering to the
mainstream. This is what hip hop was about when the likes of Kool Herc and
Grandmaster Flash were cutting up old funk and soul records to create something
completely new: pay your dues to those who came before you, but take
those influences and keep on moving forward.
And on the strength of this album, hip hop has never been in
finer creative health.
Listen. It’s happening right now. Be a part of it.
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